Discussion Posts

Drag to rearrange sections
Rich Text Content

In Class Brainstorm: Rankine Imitation
Google definitions of "identity"

the fact of being who or what a person or thing is.

and

the characteristics determining who or what a person or thing is.

***

For the brainstorm:

First list as many specific facets of your identity as you can-- keep it brief, but detailed.

Pick two.

Then for both, list as many specific experiences related to that identity as you can. Same thing: brief but detailed.

Then pick one of these (you can always change course later) and brainstorm the following:

What do I want to "teach" the reader about this facet of my identity and my experience?

What do I want to argue? What do I want them to understand?

What details might I use to do so?

Post the results of your brainstorm here ten minutes before the end of class (840, 940, or 1040).

 

My Answers

My identities:
Male, international student, once a digital artist, Asian, no beliefs(religions), a computer science major, single child. 

Two identities:

Digital artist: 
Ever since I find a “comic tutorial” at the age of 10,  I was charmed to start creating anime works on paper. When I attended middle school, I began creating my works on a drawing tablet and was capable to sell customized works as others requested. However, I was being picked and laughed at by my peers (since anime was a minor interest at that time). I also receive pressure from parents, since the artist is never a profitable nor a stable career. Therefore, I have to give it up due to such pressures.

International student:
When I first came to the US as a High School student. I was hit by the Cultural Shock: I was afraid that I might offend others unconsciously. As a result, I was exhausted to act like what others expected me to be, while I consider every whisper I could hear as gossips about me.

What I trying to teach from my identities is that we do not necessarily meet others' expectations (and for most of the time they might not have it). Only ignore those gossips and opinions from others, while insisting on our enthusiasm, can we finally succeed.

The details I want to use would be how regretful I was once I gives up what I was good at, also interested in. In addition, my joy and relief after I Finally choose to ignore others’ thoughts would also vivid my story.

 

Rough Rankine Imitation Vignettes

Tracing back to 10 years ago, an national art companionship has been held within your middle school. During that period, an art teacher you never knew came to you. I highly recommend you to join the companionship, since you might be the best among most of your classmates, she said, even though she might never see one single art of yours. Perhaps, she says those words to any student she met during the day, attempting to find more students to join the events. However, you decided to attend. Further, rather than drawing simple and childish panda bears, you decided to show your actual arts, using all techniques you ever learned—human figures, the depth of field, as well as other ones that you had practiced for ages.

 

In Class Visual Rhetoric Brainstorm: Rankine Imitation
First, find a partner.
Take 5ish minutes to summarize for your partner the following
The identity and perspective you're using for your Rankine imitation
The experiences you're exploring
What you'd like your reader to understand/feel through reading your piece
Then, in writing, summarize the following (10-15 minutes). When you're finished, post it here. 
What art object/rhetorical object/person/etc. will you focus on and analyze for your imitation of section II? Remember this thing should in some way be relevant to your identity and experience.
What would you like to say about this thing?
How is it relevant to your experience?
Finally, use the Internet to find at least one relevant piece of visual rhetoric for your piece. We'll talk about citations on Friday: this image can be anything you deem rhetorically useful for your piece. Post that image here, as well as a brief explanation for why you chose it. 

 

My Answers

I’m going to describe a friend that I met online. Dramatically, she had nearly the same experience as me: she started her career as an artist by reading the same anime art guide at a youth age. Likewise, during her college time, she was forced to learn to account since her parents consider any occupations associated with art as unstable and less profitable works. However, instead of giving up and becoming an accountant, she left her home and insisted on being an art major. Now she got a stable(Dream) job that creates illustrations for advertisements.

The reason why I choose her experience is that, evidently, she got a similar experience with me, while different choices after she got pressure from her peers and family. Her experience would provide a sharp contrast, which she insisted and eventually succeed(at least from her perspective), while I gave up and regretted it. Such experience would serve as an example for my main thesis.

Rough Rankine Imitation Visual Rhetoric

“What if I...”, “I would...”, or “I should...” are phrases people constantly starts their story full of regrets and pitifulness. Yet memories fade quickly, soon people shall forget what they regretted and move on. However, as you are no longer perplexed after you escape from the “art major” and proceed to a more profitable one, there is a friend you met online, which reminds your cowardness once again. Dramatically, such friend, a random person online that you never met in person and shared no similar identities with, got the same experience with you: she started her drawing by reading the same art tutorial you read, got alike art styles of yours, even faced the same pressure from parents as she proceeds to college. On the other hand, in contrast, rather than simply giving up what she insist on for a decade and becoming an accountant, she took a more rebellious way—she insisted on it, even if the cost was leaving her family and starting from scratch.

 

In Class: Rankine Self-Review

Answer the following in as much detail as possible, then try out an imitation paragraph below. 

  1. What are the core emotions/ideas you'd like your reader to feel and think about when they set down your piece?
  2. Who is the main audience for your piece? Who do you want to understand your identity/experience? 
  3. What might you focus on in your vignettes in section III to help you achieve those goals? 
  4. What visual rhetoric will you add to help you achieve those goals?
  5. Pick a paragraph from section III, imitate it, and then post what you've got here. 

 

My Answers

1. The emotion I would remind the readers would be a sense of faintness and regrets when they are forced to give up what they once enjoyed. I intended to invoke them thinking if it is reasonable to ignore certain gossips and bias from peers and parents, especially when they insist on minority trends since there would rarely be a “happy ending” where one may fulfill their goal while ensuring everyone surrounds him/her happy.

2. My target audience would be that college student who hasn’t decided on a major at this moment. They would inevitably face obstacles when they choose their majors, and my essay is intended to determine them when they pursue them.

3. The vignettes I would include in section III would be my experience when I pursue my further occupations as a programmer. Instead of compromising peers and parents by shifting my plans, I decided to insist on it no matter what they think.

rich_text    
Drag to rearrange sections
Rich Text Content
rich_text    

Page Comments

No Comments

Add a New Comment:

You must be logged in to make comments on this page.